An introduction to the comparative study of the use of the baroque and modern flute in composition j

Then I will compare the flutes, using the pieces I have chosen, one written for a baroque flute, and one for a modern flute. The pitch was adjusted by turning the flute away from the mouth, as with the modern flute, and also by the embouchure, and by control of breath.

The florid, coloratura monody of the early Baroque gave way to a simpler, more polished melodic style. The baroque flute also is conical, so the end that is blown into or across is wider, while the modern flute is cylindrical. Inhe added the D. The reasons for resistance were that the keys make more slurs impossible, they leak, and although they were useful for solos, the orchestral parts written for the flute were too easy to require them.

Trumpets and kettledrums were frequently added for heroic scenes. On the baroque flute there are two different sets of accidentals, as previously discussed with reference to Hotteterre paragraph 4.

From these, I should be able to obtain some conclusions about the differences in composition for both flutes. More to come on Hotteterre Works for the baroque flute Before the 17th century, all music for the transverse flute was played an octave higher than it was written.

This led to the introduction of metal as the material for flutes, which enabled then to become much louder, as required. Fingerings outside of the D major scale were incredibly difficult, and were often out of tune. In the 17th century, instrumental music was becoming more widespread, but the flute remained largely ignored, and instead had to make do with violin or oboe parts.

In the 17th century, instrumental music was becoming more widespread, but the flute remained largely ignored, and instead had to make do with violin or oboe parts. Some of these are things which I consider make it so beautiful, so there were as many losses as gains resulting from the changes.

The flute gained many qualities that were and are useful and necessary for modern composition, but in the process lost many qualities which contribute to the character of the baroque flute, and which I consider make it so beautiful, so there were as many losses as gains resulting from the changes.

Fingerings outside of the D major scale were incredibly difficult, and were often out of tune. The production of sound is basically the same, though the baroque flute requires less breath, and responds to the breath slowly, resulting in pear-shaped notes, with mellow tones that blended with each other and with the strings.

Another outcome of the soft notes was that the flute was only able to add colour to an ensemble rather than be a soloist. This however, is not a downfall of the baroque flute, as it was interesting to hear the texture produced by this difference in strength of notes.

A Comparison Of The Baroque And Modern

More to come on Hotteterre Works for the baroque flute Before the 17th century, all music for the transverse flute was played an octave higher than it was written. This also meant that chromatic scales became much easier and equal. Because the bass flute had such a weak sound and small range, it was usually replaced by a sackbutt.

Another difference between the flutes is that the baroque flute?. However, with this change of material, the unique rich, rounded sound of the baroque flute was lost. The production of sound is basically the same, though the baroque flute requires less breath, and responds to the breath slowly, resulting in pear-shaped notes, with mellow tones that blended with each other and with the strings.

The first part of this will be a look into the development of the baroque flute, as it is my main focus, and what its capabilities were for composition.

Baroque Essays

However, with this gain of equality, the flute lost the quality of the difference between the sounds of each tonality. By the beginning of the 19th century, flutes only had six keys and eight finger holes. Quantz said of his first flute lessons in.

At the moment I prefer the baroque flute to the modern flute, and I would like to prove that it is indeed the better flute. We are dedicated to helping students with their everyday College needs.

The flute was still made of wood, with the keys being of brass. InRobert Woodcock in London published concertos for wind instruments with strings and basso continuo. By the beginning of the ninteenth century, flutes only had six keys, and eight fingerholes.

Arts: Music/ A Comparison Of The Baroque And Modern Flutes term paper 10039

The tenor flute - the predecessor of the baroque flute has the most surviving copies. InQuantz added the D key, as the 7th hole was too far from the 6th for fingers to reach. The recorder was the predecessor of the transverse flute, but gradually, the flute became the more dominant instrument.

Then I will compare the flutes, using the pieces I have chosen, one written for a baroque flute, and one for a modern flute. Quantz said of his first flute lessons in - " we only played fast pieces, for this was my teachers great strength Fingerings outside of the D major scale were incredibly difficult, and were often out of tune.

More to come on this impact The addition of more keys was a slow process, as many professional players resisted the change. This harmonic simplification also led to a new formal device of the differentiation of recitative a more spoken part of opera and aria a part of opera that used sung melodies.

Because the bass flute had such a weak sound and small range, it was usually replaced by a sackbuts. Through the work of Johann Fux, the Renaissance style of polyphony was made the basis for the study of composition for future musical eras.

The composers of the late baroque had established their feats of composition long before the works of Johann Fux. [The four-piece construction greatly aided in their tuning] The French makers associated with the court of Louis XIV greatly increased the agility of the flute these changes deeply affected French flute composition of the early 18th century, and were soon transferred to Italy and Germany.

A comparative study of the use of the barqoue and modern flute in composition, with specific reference to -- Sonata IV for flute and continuo by J.S Bach, and Sonata for flute and piano by Hindemith The baroque, or transverse flute is of great interest to me, mainly because of my own flute playing.

J S Bach Essay Examples. 6 total results.

Example research essay topics, free essays

An Introduction to the Comparative Study of the Use of the Baroque and Modern Flute in Composition: J. S. Bach. 4, words. 10 pages. An Introduction to the Analysis of the. In the Baroque period composers were employed by the church and the wealthy, ruling class. Usually one wealthy person (or patron) would pay the composer for each work and decided what kind of piece the composer would write.

A Comparison Of The Baroque And Modern

A comparative study of the use of the baroque and modern flutes in composition, with specific reference to - Sonata IV for flute and continuo by J.

S Bach, and Sonata for flute by Hindmost The baroque, or transverse flute is of great interest to me, mainly because of my own flute playing experience.

Baroque music An introduction to the comparative study of the use of the baroque and modern flute in composition j
Rated 3/5 based on 89 review
Baroque music - Wikipedia